George Andrews

George Andrews offers an experience with his redigitized 16mm film. This semi-autobiographical masterpiece, directed and starred by Wanzer, involves a complex interrogation of memory, reality, and the social rules of the middle-class goals of the 1970s. The film utilizes Wanzer's striking stylistic techniques due to his love for avant-garde pioneers like Maya Deren, Jean Cocteau, and Ingmar Bergman. George Andrews questions both cinema norms and the traditional worldviews of his characters by using editing, slow motion, and non-linear storytelling.

The film is presented in a way that will engage the viewers, filled with distinct characters and a remarkable narrative. Viewers are forced to ponder on their perception of reality while watching the film, pushing them to reassess their personal ways of thinking and understanding.

The film was shot in a setting that reflects the social atmosphere of the 1970s.