George Andrews

George Andrews offers an experience with his re-digitized 16mm film. This semi-autobiographical masterpiece, directed and starred by Wanzer, includes a complex interrogation of memory, reality and the social norms of the middle-class aspirations of the 1970s. The film employs Wanzer's striking stylistic techniques due to his love for avant-garde pioneers such as Maya Deren, Jean Cocteau, and Ingmar Bergman. George Andrews questions both cinema norms and his characters' traditional world views using editing, slow motion, and non-linear storytelling.

The film is presented in a way that will attract viewers, filled with distinctive characters and a compelling story. As audiences watch the film, they are forced to reflect on their perceptions of reality, pushing them to re-evaluate their personal ways of thinking and understanding.

The film was shot in a location reflecting the social atmosphere of the 1970s.